File this under:
The Left can give it, but not take it.
New York Public Theater’s Shakespeare in the [Central] Park this summer staged a modern “re-imagining” of the Bard’s classic Julius Caesar play, in which Caesar is stabbed to death by conspirators in the Roman Senate, but with Caesar portrayed by a Donald Trump lookalike, sporting reddish-blonde hair, wearing a suit and a tie that hangs a few inches below his belt.
To make the allusion to Trump unmistakable, Caesar’s wife, Calpurnia – who begs “Caesar” not to attend the Senate because she had a premonition about his murder — is a Melania Trump lookalike, complete with a Slavic accent. (See DCG’s post on the play here.)
In other words, the Shakespeare’s play, which ended on June 18, was “re-imagined” by Leftists into an assassinate President Trump porn.
One of the changes that became clear in the 2016 presidential election is that America’s Right really have had enough. Thus, the birth of the New or Alternative Right, who are distinguished from the traditional Right or Conservatives in that the AltRight champion American nationalism and populism, and refuse to be passive, but instead are assertive, even combative if need be.
On June 16, AltRight activists disrupted the Caesar-Trump assassination play. Laura Loomer dashed onto the stage, shouting, “This is political violence against the right!”
When Loomer was escorted by security from the stage, AltRight journalist Jack Posobiec, DC Bureau Chief of Rebel Media, who filmed the disruption from the audience, stood up and told the crowd: “You are all Nazis, like Joseph Goebbels. You are inciting terrorists. The blood of Steve Scalise is on your hands. Goebbels would be proud. You are Nazis.”
Posobiec was also escorted out by security.
During a subsequent performance of the assassinate Trump play, another AltRight protester, a man, rushed the stage shouting, “Liberal hate kills!” Indeed it does, as seen in Bernie Sanders supporter James Hodgkinson’s shooting of Congressman Steve Scalise and three others at a Republican baseball practice on June 14, 2017. (See “Pedogate and the attempted assassination of Rep. Steve Scalise”)
Police charged Loomer, Javanni Valle of Brooklyn, and Long Island man Salvatore Cipolla with trespassing.
By that time, Delta Airlines and Bank of America had withdrawn their funding of the play. Even the liberal National Endowment for the Arts distanced itself with a statement saying that no federal taxpayer dollars had been used in the production of the play.
In a June 24, 2017 article for The Guardian, decidedly nonobjective reporter Oliver Milman who calls Posobiec “a rightwing conspiracy theorist” as if there are no real conspiracies (see “Operation Northwoods: A true U.S. government conspiracy for those who mock conspiracy theories“), writes that Corey Stoll, the actor who played assassin Marcus Brutus in the Caesar-Trump play, said the protests made him “sob” and the cast “exhausted and nervous”.
BooHoo. Poor babies.
Corey Stoll, one of the Tribe, has acted in the Netflix series House of Cards and the Marvel film Ant-Man. In an essay for Vulture, Stoll moaned that the Caesar play “had become the target of hecklers and online vitriol”. Despite those evil Trump supporters, the actors pushed bravely on:
“The protesters never shut us down, but we had to fight each night to make sure they did not distort the story we were telling. At that moment, watching my castmates hold their performances together, it occurred to me that this is resistance.
When I signed on to play the reluctant assassin Marcus Brutus in this production, I didn’t know Caesar would be an explicit avatar for President Trump. I suspected that an American audience in 2017 might see aspects of him in the character, a democratically elected leader with autocratic tendencies.”
While acknowledging that Caesar was “an explicit avatar for President Trump” and that “A nontrivial percentage of our liberal audience had fantasized about undemocratic regime change in Washington,” Stoll nevertheless disingenuously proclaims that he “had little fear of offending people” and did not think anyone would see the play “as an endorsement of violence against” a duly-elected sitting President.
“The Wednesday after our opening night, a gunman opened fire on the Republican baseball team, injuring four, including Representative Steve Scalise. Of the more than 150 mass shootings so far this year, this was the first that appeared to be aimed at a politician. Like most Americans, I was saddened and horrified, but when the president’s son and others blamed us for the violence, I became scared. [,,,]
Our final show. Exhausted and nervous, we took our places. Before I could make an entrance, someone started screaming and was led off, as the audience angrily turned against him. [,,,] During the assassination, another person sprinted to the stage, yelling, ‘I’m sick of your bullshit!’ He was tackled almost immediately. Forty-five minutes later, we finished the show, and our run, as scheduled. Backstage, I exhaled and sobbed.”
Everyone and altogether, say: