Sexgate: Closeted homosexual Kevin Spacey apologizes for trying to seduce 14-year-old boy

kevin spacey

Just when you think the deprivaty of Hollyweird can’t get any worse, it does.

On Sunday night Kevin Spacey, a 58-year-old actor best known for American Beauty and House of Cards, decided he needed to apologize to actor Anthony Rapp.

Rapp had accused Spacey of trying to seduce him when he was just 14 years old and Spacey was 26. Rapp said of the encounter, “He was trying to seduce me. I don’t know if I would have used that language. But I was aware that he was trying to get with me sexually.

Spacey posted a statement on Twitter saying he is “beyond horrified” by the story, but doesn’t remember the encounter. Spacey went on to make the statement ALL ABOUT HIM. He chose to throw in the homosexual card and proclaim that “he was examining himself and now chooses “to [openly] live as a gay man.”

Just like everyone knows about the “casting couch” secret in Hollyweird, everyone knew that Spacey was a closeted homosexual. How dare he choose this apology to state the obvious and try to relieve himself of any personal responsibility by “hiding under the rainbow.”

On top of that, Spacey tried to blame this incident on his “inappropriate drunken behavior.”

What is rich about this is that the homosexual Spacey once claimed that “Trump is a disease.”

At a Cannes Film Festival charity event in 2016, Spacey had some choice words about now President Trump. From The Guardian:

Kevin Spacey has laid into Donald Trump during a standup routine at the Cannes film festival, calling the Republican presidential hopeful a “disease”.

He (Spacey) told the audience that regular host, Sharon Stone, was unable to make it because she was fighting a disease, adding: “The name of the disease is Donald Trump.”

Continued Spacey: “Foreign films contain two things Donald Trump hates the most: foreigners and reading.” Warming to his theme, the actor said he could never “vote for a candidate who wasn’t in favour of separation of man and face,” in a reference to Trump’s chin. He added: “Donald Trump would probably love it here, because there are so many casinos to bankrupt.”

Spacey, who made several costume changes, also appeared dressed as Bill Clinton, telling the crowd he hadn’t ”seen so many red carpets since I went to a swingers party,” and adding: “Vote for [Hillary] and you’ll get me.”

How I love to see this sanctimonious Hollyweird actor fall on his own sword.

See also:

DCG

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42 responses to “Sexgate: Closeted homosexual Kevin Spacey apologizes for trying to seduce 14-year-old boy

  1. the rotten “fruit” doesn’t fall too far from the tree. looks like he is just carrying on the family business while trying to get sympathy for his evil actions:
    “Kevin Spacey’s father was ‘Nazi child rapist’ who hated Jews and sexually abused his own son for years – and their mother knew, claims actor’s brother”
    http://www.dailymail.co.uk/news/article-5032809/Kevin-Spacey-s-father-Nazi-child-rapist-brother-says.html

    Liked by 3 people

  2. “Seduce” should be “rape” and shame on you for the substitution.

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  3. Pingback: Sexgate: Closeted homosexual Kevin Spacey apologizes for trying to seduce 14-year-old boy | Fellowship of the Minds | Trump:The American Years

  4. Kevin Spacey demonstrates that the claim of homosexuals being pedophiles/pederasts is true. Anthony Rapp isn’t the only victim:

    (1) Former Boston newswoman Heather Unruh wrote on social media that Spacey had also sexually assaulted “a loved one”.
    (2) Nadine West also went on social media saying that Spacey had groped her “young male friend” when they were working at London’s Old Vic theater. When Spacey was acting/directing at the Old Vic, he claimed he had been mugged at 4am in a public park known for covert “gay” sex.
    (3) Others say Spacey participated in X-Men director Bryan Singer’s notorious pool parties, known for young and underage males.

    Today, Netflix effectively fired Spacey with the announcement that this season’s (6th?) of Spacey’s “House of Cards” is the last.

    https://www.nationalenquirer.com/photos/kevin-spacey-pedophile-child-molester-scandal/
    https://fellowshipoftheminds.com/2015/07/06/new-documentary-exposes-hollywood-man-boy-pedophiles/

    Liked by 2 people

    • pederasts/pedophiles….should be in prison, instead they thrive in hollywood and corporations and govt and keep our judicial benches warm…
      evil is as evil does.

      Liked by 3 people

    • I for one am thrilled that Netflix had the fortitude to fire this sleazy devil. I hope that his career, slides off into Hell, where it belongs. I did not know that he was a homosexual, and previously liked his acting . . . but now he is relegated to my “no view” list. Isn’t it wonderful that once the veil is lifted on one of these evil doers . . . then the floodgates are open, and we begin to see just how evil, and perverse the Hollywood crowd actually is.

      DCG . . . Great article!

      Liked by 3 people

  5. THE ROOT CAUSE OF PERVERSION IN HOLLYWOOD
    PART 2
    AUGUST 11, 2017 3:42 PM
    WHY THE TALMUD IS THE MOST IMPORTANT TEXT IN JUDAISM
    by Rabbi Pini Dunner

    It is always assumed that the most important text of Judaism is the Torah. But while it is true that the Torah is uniquely revered as the essence of our faith identity — and elevated above all other texts as the unadulterated word of God — the primary text of Judaism is undoubtedly the Talmud.

    The Talmud is a remarkable compilation of ancient traditions that accompanied the Sinaitic Torah, collectively known as Torah-she’baal-peh, or the “Oral Torah.”
    These traditions are made up of two distinct parts. The first consists of guidelines associated with laws mentioned in the Torah, whose practice is undefined by the text (such as the shape and color of phylacteries, or the fact that the Omer-offering countdown begins on the second day of Passover rather than the following Sunday).
    The second part consists of a series of interpretative rules that are used to extract information from the often impenetrable text of the Torah. The incredible consequence of this dual system is that it turned the Torah into a living, breathing document, with layer upon layer of depth and meaning.

    It would appear that immediately following the conquest of Canaan, and all the way through the destruction of the First Temple and into the Second Temple period, these traditions remained exclusively oral. Purists believed that the Oral Torah’s dynamism would be fatally compromised if any of it were written down.

    This purist approach proved to be a disaster, however — and throughout this period, Jews and Judaism were in constant danger of vanishing completely. The powerful tug of pagan worship, combined with limited Torah knowledge among the people, often resulted in the abandonment of normative Judaism. And when the pendulum eventually swung back in favor of Torah law — as it always did — the nation would be hampered by its inability to correctly interpret the Sinaitic Torah.

    During the rebellious reign of King Josiah (c.649-609 BCE), the High Priest Hilkiah discovered a Torah scroll while renovating the Temple, and brought it to the king’s attention. Josiah was confounded by what he read in the scroll, and sent it to Huldah the prophetess to inquire what it meant.

    The reason that Josiah consulted Huldah instead of Jeremiah, the senior prophet of his day, was probably because Huldah was the leading Oral Torah teacher of her time, as indicated by an ancient Aramaic translation of 2 Kings (22:14). This explains why the scroll’s discovery and Josiah’s interaction with Huldah resulted in an extraordinary religious renaissance. Nevertheless, the revival was depressingly short-lived, as only a handful of experts were familiar with oral tradition, and the nation once again drifted away from Torah observance.

    At some point in the Second Temple era, it must have dawned on the rabbis that the dual system would never truly work unless the oral traditions were properly recorded. As a result of this epiphany, the slow process of turning our rich oral backdrop into a structured body of knowledge began. This would become the Talmud.

    The final version of the Talmud did not appear until many centuries later, but when it did, it contained a faithful record of discussions and statements by rabbis whose principle aim over hundreds of years had evidently been to formulate a body of knowledge that would both deliver the detailed information lacking in the Sinaitic Torah, while also generating continued enthusiastic discussion and innovation.
    Even as this extraordinary project gathered pace, there were those who opposed it — either because they rejected the concept of an oral tradition altogether, or because they feared that formalizing such a vast body of law would restrict their ability to integrate into contemporary culture. These Jews became known as the Sadducees, and were comprised of a broad group, encompassing everyone from Torah-scripture literalists to Hellenized Jews. But while the Sadducees desperately tried to delegitimize Oral Torah as an aberration, they had nothing enduring to offer in exchange. Instead, they focused on the Temple as the only important symbol of Jewish identity.

    With the Temple’s destruction in 70 AD, the Sadducees became an anachronism, and disappeared more or less immediately. The same fate might have befallen the originators of the Talmud — the Pharisees, as they were known — had they not created their comprehensive record of the Oral Torah. Every Jew since that time owes their existence as a Jew not to the Sinaitic Torah — despite its superior sanctity and sacredness — but to the extraordinary body of knowledge that is the Talmud. This is why traditional Judaism focuses so heavily on the study of the Talmud, as opposed to simply reading the text of the Torah.

    The Torah itself is fully aware that it must be seen as being greater than the sum of its parts, as indicated by the statement (Deut. 11:19), “and you shall teach it to them” — namely, your children. The three-letter root for the Hebrew word “teach” — LMD. — is identical to the root of the Hebrew word for “study.” And the word Otam in the phrase, which refers to the children, appears without the letter “vav,” allowing it to be read Atem (“you”). The message this conveys is that we must never limit our own Torah-study to teaching our children. To ensure the survival of Judaism, we must be prepared to grow our personal Torah knowledge throughout our lives.

    If the Torah had been confined to the original written text, it would never have survived. But there is so much more to the Torah than meets the eye. To access the vast reservoirs of that knowledge, we must use the Oral Torah as our guide. That is why the Talmud is the most important text in Judaism.

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  6. THE ROOT CAUSE OF PERVERSION IN HOLLYWOOD
    PART 1
    HOW JEWISH IS HOLLYWOOD?
    By Joel Stein

    I have never been so upset by a poll in my life. Only 22% of Americans now believe “the movie and television industries are pretty much run by Jews,” down from nearly 50% in 1964. The Anti-Defamation League, which released the poll results last month, sees in these numbers a victory against stereotyping. Actually, it just shows how dumb America has gotten. Jews totally run Hollywood.

    How deeply Jewish is Hollywood? When the studio chiefs took out a full-page ad in the Los Angeles Times a few weeks ago to demand that the Screen Actors Guild settle its contract, the open letter was signed by: News Corp. President Peter Chernin (Jewish), Paramount Pictures Chairman Brad Grey (Jewish), Walt Disney Co. Chief Executive Robert Iger (Jewish), Sony Pictures Chairman Michael Lynton (surprise, Dutch Jew), Warner Bros. Chairman Barry Meyer (Jewish), CBS Corp. Chief Executive Leslie Moonves (so Jewish his great uncle was the first prime minister of Israel), MGM Chairman Harry Sloan (Jewish) and NBC Universal Chief Executive Jeff Zucker (mega-Jewish). If either of the Weinstein brothers had signed, this group would have not only the power to shut down all film production but to form a minyan with enough Fiji water on hand to fill a mikvah…

    The Jews are so dominant, I had to scour the trades to come up with six Gentiles in high positions at entertainment companies. When I called them to talk about their incredible advancement, five of them refused to talk to me, apparently out of fear of insulting Jews. The sixth, AMC President Charlie Collier, turned out to be Jewish.

    As a proud Jew, I want America to know about our accomplishment. Yes, we control Hollywood. Without us, you’d be flipping between “The 700 Club” and “Davey and Goliath” on TV all day.

    So I’ve taken it upon myself to re-convince America that Jews run Hollywood by launching a public relations campaign, because that’s what we do best. I’m weighing several slogans, including: “Hollywood: More Jewish than ever!”; “Hollywood: From the people who brought you the Bible”; and “Hollywood: If you enjoy TV and movies, then you probably like Jews after all.” …

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  7. THE ROOT CAUSE OF PERVERSION IN HOLLYWOOD
    PART 3
    “THE JEWISH TALMUD IS ONE OF THE WONDERS OF THE WORLD”!

    The official unabridged Soncino Edition of the Talmud published in 1935 was “Translated into English with Notes, Glossary and Indices” by such eminent Talmudic scholars as Rabbi Dr. I. Epstein, Rabbi Dr. Samuel Daiches, Rabbi Dr. Israel W. Slotki, M.A., Litt.D., The Reverend Dr. A. Cohen, M.A.’, Ph.D., Maurice Simon, M.A., and the Very Reverend The Chief Rabbi Dr. J.H. Hertz wrote the “Foreword” for the Soncino Edition of the Talmud. The Very Reverend Rabbi Hertz was at the time the Chief Rabbi of England.

    The world’s leading authorities on the Talmud confirm that the official unabridged Soncino Edition of the Talmud translated into English follows the original texts with great exactness. It is almost a word-for-word translation of the original texts. In his famous classic “The History of the Talmud,” Michael Rodkinson, the leading authority on the Talmud, in collaboration with the celebrated Reverend Dr. Isaac M. Wise states:

    “THE TALMUD IS ONE OF THE WONDERS OF THE WORLD. During the twenty centuries of its existence…IT SURVIVED IN ITS ENTIRETY, and not only has the power of its foes FAILED TO DESTROY EVEN A SINGLE LINE, but it has not even been able materially to weaken its influence for any length of time. IT STILL DOMINATES THE MINDS OF A WHOLE PEOPLE, WHO VENERATE ITS CONTENTS AS DIVINE TRUTH…”

    SANHEDRIN, 55b-55a: “What is meant by this? – Rab said: Pederasty with a child below nine years of age is not deemed as pederasty with a child above that. Samuel said: Pederasty with a child below three years is not treated as with a child above that (2) What is the basis of their dispute? – Rab maintains that only he who is able to engage in sexual intercourse, may, as the passive subject of pederasty throw guilt (upon the actual offender); whilst he who is unable to engage in sexual intercourse cannot be a passive subject of pederasty (in that respect) (3). But Samuel maintains: Scriptures writes, (And thou shalt not lie with mankind) as with the lyings of a woman (4). It has been taught in accordance with Rab: Pederasty at the age of nine years and a day; (55a) (he) who commits bestiality, whether naturally or unnaturally: or a woman who causes herself to be bestiality abused, whether naturally or unnaturally, is liable to punishment (5).”

    This "divine truth" which "a whole people venerate" of which "not a single letter of it is missing" and today "is flourishing to such a degree as cannot be found in its history" is illustrated by the additional verbatim quotations which follow:
    

    SANHEDRIN, 69b “Our rabbis taught: If a woman sported lewdly with her young son (a minor), and he committed the first stage of cohabitation with her, -Beth Shammai says, he thereby renders her unfit for the priesthood (1). Beth Hillel declares her fit…All agree that the connection of a boy nine years and a day is a real connection; whilst that of one less than eight years is not (2); their dispute refers only to one who is eight years old.

    KETHUBOTH, 11a-11b. “Rabba said, It means (5) this: When a grown up man has intercourse with a little girl it is nothing, for when the girl is less than this (6), it is as if one puts the finger in the eye (7), but when a small boy has intercourse with a grown up woman, he makes her as a girl who is injured by a piece of wood' ".
    (footnotes) "(5). Lit.,
    says’. (6) Lit., `here’, that is, less than three years old. (7) Tears come to the eyes again and again, so does virginity come back to the little girl under three years.”

    KETHUBOTH, 11a-11b. “Rab Judah said that Rab said: A small boy who has intercourse with a grown up woman makes her (as though she were ) injured by a piece of wood (1). Although the intercourse of a small boy is not regarded as a sexual act, nevertheless the woman is injured by it as by a piece of wood(a dildo).”
    (footnotes) “(1) Although the intercourse of a small boy is not regarded as a sexual act, nevertheless the woman is injured by it as by a piece of wood.”

    ABODAH ZARAH, 36b-37a. “R. Naham b. Isaac said: They decreed in connection with a heathen child that it would cause defilement by seminal emission (2) so that an Israelite child should not become accustomed to commit pederasty with it…From what age does a heathen child cause defilement by seminal emission? From the age of nine years and one day. (37a) for inasmuch as he is then capable of the sexual act he likewise defiles by emission. Rabina said: It is therefore to be concluded that a heathen girl (communicates defilement) from the age of three years and one day, for inasmuch as she is then capable of the sexual act she likewise defiles by a flux.

    SOTAH, 26b. “R. Papa said: It excludes an animal, because there is not adultery in connection with an animal (4). Raba of Parazika (5) asked R. Ashi, Whence is the statement which the Rabbis made that there is no adultery in connection with an animal? Because it is written, Thou shalt not bring the hire of a harlot or the wages of a dog etc.; (6) and it has been taught: The hire of a dog (7) and the wages of a harlot (8) are permissible, as it is said, Even both of these (9) – the two (specified texts are abominations) but not four (10)…As lying with mankind. (12) But, said Raba, it excludes the case where he warned her against contact of the bodies (13). Abaye said to him, That is merely an obscene act (and not adultery), and did the All-Merciful prohibit (a wife to her husband) for an obscene act?”

    SANHEDRIN, 55b: “A maiden three years and a day may be acquired in marriage by coition, and if her deceased husband’s brother cohabits with her, she becomes his. The penalty of adultery may be incurred through her; (if a niddah) she defiles him who has connection with her, so that he in turn defiles that upon which he lies, as a garment which has lain upon (a person afflicted with gonorrhea).”

    (footnotes) “(2) His wife derives no pleasure from this, and hence there is no cleaving. (3) A variant reading of this passage is: Is there anything permitted to a Jew which is forbidden to a heathen. Unnatural connection is permitted to a Jew. (4) By taking the two in conjunction, the latter as illustrating the former, we learn that the guilt of violating the injunction `to his wife but not to his neighbor’s wife’ is incurred only for natural but not for unnatural intercourse.”

    Of the “sacred” Talmudic teachings of the “Sages,” preserved since 500 A.D. and taught more widely today than ever before in Talmud-Torah schools in the U.S.A., perhaps nothing better illustrates “fools” with “reprobate minds” than the teaching in the Talmud book of Yebamoth that spittle on the top of the bed curtain proves that a wife has been guilty of adultery, as only lying down face upwards could she have spit up on it. Spitting several feet straight up! The Talmud states: “When a peddler leaves a house and the woman within is fastening her sinnar [breech-cloth] … . If spittle is found on the upper part of the curtained bed she must, said Rabbi, go.” Footnote: “Even if there were no witnesses that misconduct took place.” Further footnote: “Only the woman lying face upwards could have spat on the spot. Intercourse may, therefore, be suspected.”

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  8. THE ROOT CAUSE OF PERVERSION IN HOLLYWOOD
    PART 4
    HOW PEDOPHILIA CAME TO HOLLYWOOD
    BY BILLY WILDER

    Screenwriter and director, Billy Wilder, has had an enormous impact on the public, as substantiated by his numerous Oscars and other film awards. Responsible for famous films like Hold Back the Dawn, Five Graves to Cairo, Double Indemnity, The Lost Weekend, Sunset Boulevard, Stalag 17, Sabrina and The Apartment, Wilder’s cinema successes were granted him as he was just another pawn who was utilized with evil acumen to help abolish society’s established code of ethics. His own authorized biographer who worked closely with him, Maurice Zolotow, wrote:

    “Of course, I did not know what I was getting into when I had started this. It became, as all such journeys have become, a journey to find out the secret springs of this most devious and perverse of Hollywood’s personalities.”

    Wilder loved to transport the viewer into the depravity of his own heart and did this by tricking the censors who sought to enforce the old Hollywood Production Code of Hollywood’s “Golden Age.” Wilder recalls, “We had to operate cunningly to outwit the censors and this made us write more subtly.” What subtleties did he scatter throughout his films? Perversion. In his movie, The Major and the Minor, Wilder admits that the motif was child sexuality, stating:

    “Ray Milland falls in love with Ginger as a twelve year old child. We had here the first American movie about pedophilia. The Major is sexually aroused by her. He can’t help himself. I was worried that audiences would be shocked by this story, but it seems that they were not.”

    This goes to show that if a story is entertaining and “cute,” it can bypass the normal reaction to such filth and translate into apathetic disregard on the slippery slope of corruption. Where did this movie minister of perversion receive his material? Wilder was given his creative material by another supernatural force. In addition to stating that he is “demonically possessed and slightly crazed,” Zolotow reports of Wilder:
    “He could not stop his creative machinery from functioning. He was enslaved by his art…One sometimes felt as if one were moved by powerful invisible forces. I forgot to tell you that Wilder never starts a new screenplay without typing two words on the first page: Cum Deo (‘With God’). He has a pantheistic feeling about the universe.”

    Demon possession leads many from the truths of God to the pantheistic lies of the New Age movement because Satan uses those who will serve him most faithfully in preparing humanity to embrace him as the god of this world. Wilder’s responses upon completion of his show make it readily apparent which god he aligned himself with. Scientologist screenwriter of the Sound of Music, Ernest Lehman, recalls:

    “He looked at the heavens and screeched F— you!” It was…a victory cry, as if he were calling out to God and saying,

    ‘I completed this picture despite everything you did to make me surrender.'”

    Dr. Lycurgus Starkey rightly announced on the NBC network: “His movies have overturned all the sexual mores, glorified promiscuity, glamorized prostitution and elevated adultery to a virtue.” Dr. Starkey was prophetically right in predicting the social effect and outcome of Wilder’s films that we currently face in our day. The atheist author of communism, Karl Marx, explains the reasons why this is so:

    “The ideas of the ruling class are, in every age, the ruling ideas: i.e., the class which is the dominant material force in society is at the same time its dominant intellectual force. The class which has the means of material production at its disposal has control at the same time over the means of mental production.”

    The gross immorality in Hollywood that makes its way on the screen and thus influences the masses reflects the lives of those who operate within it. An intimate friend of the late Steve McQueen related:

    “He’d kill for a part in a movie…he’d suck anyone’s [expletive]…he’d get f—– or f— anyone who’d get him a part in a show…then he’d wish-he’d pray- that person would have a heart attack or a stroke and die, and then there would be no way for anyone to know how McQueen had got the part.”

    This disgusting ambition is what keeps the infamous casting couch warm and desirous hopeful actors willing. Hollywood insider, Phyllis Diller, clarifies this fact:

    “The casting couch is the name of the game in Hollywood. I know there are stars, especially women, who have made a career from sexual favors.”

    Would you invite a person whom you knew to be ethically bankrupt and an absolute moral degenerate into your home to influentially instruct your wife, your husband, and your children or loved ones? These are the very ones that America invites into their home every night via the television to submissively share their lives with.

    Faye Dunaway said that the ghost of Joan Crawford is haunting her. Actress Jean Seberg believed that her “devils” kept her from ever being free. She stated:

    “The devils will stop that sort of stuff in a second. They ride right here. (Touching her collar bone with her fingers) Sitting here and here. There’s one on each side…these are both unfriendly influences. They tell me to run my car into other cars, or drive off a cliff.”

    A friend later reflected on her life and pin pointed the cause as the “acting classes at Columbia Studios…[which] had the power to influence Jean’s devils.” Like countless others in the Hollywood movie star system, this lead to psychiatric hospitals and suicide. Actor Sal Mineo was in regular contact with psychics and spoke of the “vibrations” of James Dean’s spirit that haunted him, stating, “I’ve got to get him off my back because I don’t want to join him down there.” Mineo was murdered under mysterious circumstances. Is fame worth the extorted fees that Satan demands of his servants of the silver screen?

    As Alan Alda declared:

    “There’s plenty of money to be had…But you also lose your soul.”

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  9. So is the assumption he only behaved this way once? In his mind what age makes it legal?

    That’s what the ‘gays’ are working towards, lowering that age so sex with either gender is OK at any age. We already have tacitly accepted homosexuality into our society and legal system.

    So this “confession” gets on TV; MSM, so he is now a national hero and it legitimizes his perversion and his sense of right and wrong.
    (?)
    Felling Normal now?

    So if anyone says he is a pervert and a pig, that makes him the victim and them rightwing nutjob haters.

    This is all part of the Communist Agenda to destroy our Society, and the Communists are the useful idiots for Satan.
    If that doesn’t marginalize me, nothing will.

    I’ll never watch anything with him associated with it.

    That’s why we homeschool; because scum like this who can’t make it in show business become teachers.
    God forbid you voice an objection.

    At least that Judge Mary said we won’t pay for new plumbing. That’s something at least.

    Liked by 1 person

    • BE CAREFUL WHEN YOU SAY COMMUNIST!

      ON THE JEWISH QUESTION
      BY KARL MARX

      […] Let us consider the real Jew: not the sabbath Jew, whom Bauer considers, but the everyday Jew.
      Let us not seek the secret of the Jew in his religion, but let us seek the secret of the religion in the real Jew.
      What is the profane basis of Judaism? Practical need, self interest. What is the worldly cult of the Jew? Huckstering. What is his worldly god? Money.
      Very well: then in emancipating itself from huckstering and money, and thus from real and practical Judaism, our age would emancipate itself.
      An organization of society which would abolish the preconditions and thus the very possibility of huckstering, would make the Jew impossible. His religious consciousness would evaporate like some insipid vapour in the real, life-giving air of society. On the other hand, when the Jew recognizes his practical nature as invalid and endeavours to abolish it, he begins to deviate from his former path of development, works for general human emancipation and turns against the supreme practical expression of human self-estrangement.

      We discern in Judaism, therefore, a universal antisocial element of the present time, whose historical development, zealously aided in its harmful aspects by the Jews, has now attained its culminating point, a point at which it must necessarily begin to disintegrate. In the final analysis, the emancipation of the Jews is the emancipation of mankind from Judaism.
      The Jew has already emancipated himself in a Jewish fashion.

      “The Jew, who is merely tolerated in Vienna for example, determines the fate of the whole Empire by his financial power. The Jew, who may be entirely without rights in the smallest German state, decides the destiny of Europe. While the corporations and guilds exclude the Jew, or at least look on him with disfavour, the audacity of industry mocks the obstinacy of medieval institutions.”

      This is not an isolated instance. The Jew has emancipated him self in a Jewish manner, not only by acquiring the power of money, but also because money has become, through him and also apart from him, a world power, while the practical Jewish spirit has become the practical spirit of the Christian nations. The Jews have emancipated themselves in so far as the Christians have become Jews. […]

      In North America, indeed, the effective domination of the Christian world by Judaism has come to be manifested in a common and unambiguous form; the preaching of the Gospel itself, Christian preaching, has become an article of commerce, and the bankrupt trader in the church behaves like the prosperous clergyman in business. “This man whom you see at the head of a respectable congregation began as a trader; his business having failed he has become a minister. This other began as a priest, but as soon as he had accumulated some money he abandoned the priesthood for trade. In the eyes of many people the religious ministry is a veritable industrial career.”
      According to Bauer, it is “a hypocritical situation when, in theory, the Jew is deprived of political rights, while in practice he wields tremendous power and exercises on a wholesale scale the political influence which is denied him in minor matters.”

      The contradiction which exists between the effective political power of the Jew and his political rights, is the contradiction between politics and the power of money in general. Politics is in principle superior to the power of money, but in practice it has become its bondsman.

      Judaism has maintained itself alongside Christianity, not only because it constituted the religious criticism of Christianity and embodied the doubt concerning the religious origins of Christianity, but equally because the practical Jewish spirit – Judaism or commerce – has perpetuated itself in Christian society and has even attained its highest development there. The Jew, who occupies a distinctive place in civil society, only manifests in a distinctive way the Judaism of civil society.

      Judaism has been preserved, not in spite of history, but by history.
      It is from its own entrails that civil society ceaselessly engenders the Jew.
      What was, in itself, the basis of the Jewish religion? Practical need, egoism.
      The monotheism of the Jews is, therefore, in reality, a polytheism of the numerous needs of man, a polytheism which makes even the lavatory an object of divine regulation. Practical need, egoism, is the principle of civil society, and is revealed as such in its pure form as soon as civil society has fully engendered the political state. The god of practical need and self-interest is money. Money is the jealous god of Israel, beside which no other god may exist. Money abases all the gods of mankind and changes them into commodities. Money is the universal and self-sufficient value of all things. It has, therefore, deprived the whole world, both the human world and nature, of their own proper value. Money is the alienated essence of man’s work and existence; this essence dominates him and he worships it.
      The god of the Jews has been secularized and has become the god of this world. The bill of exchange is the real god of the Jew. His god is only an illusory bill of exchange.

      The mode of perceiving nature, under the rule of private property and money, is a real contempt for, and a practical degradation of nature, which does indeed exist in the Jewish religion but only as a creature of the imagination.
      It is in this sense that Thomas Munzer declares it intolerable “that every creature should be transformed into property – the fishes in the water, the birds of the air, the plants of the earth: the creature too should become free.”
      That which is contained in an abstract form in the Jewish religion – contempt for theory, for art, for history, and for man as an end in himself – is the real, conscious standpoint and the virtue of the man of money. Even the species-relation itself, the relation between man and woman, becomes an object of commerce. Woman is bartered away.

      {no thought of Same-Sex Marriage, in those words – Peter M.}
      The chimerical nationality of the Jew is the nationality of the trader, and above all of the financier.

      The law, without basis or reason, of the Jew, is only the religious caricature of morality and right in general, without basis or reason; the purely formal rites with which the world of self-interest encircles itself.

      Here again the supreme condition of man is his legal status, his relationship to laws which are valid for him, not because they are the laws of his own will and nature, but because they are dominant and any infraction of them will be avenged.

      Jewish Jesuitism, the same practical Jesuitism which Bauer discovers in the Talmud, is the relationship of the world of self-interest to the laws which govern this world, laws which the world devotes its principal arts to circumventing.

      JEWISH JESUITISM CREATED BOLSHEVIK/NAZI SOCIALISM — NOT COMMUNISM

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  10. Here are but a few Jews who changed their names on the road to stardom.
    Adopted Christian Name ………………Real Jewish Name
    Joey Adams ……………………….. Joseph Abramowitz
    Eddie Albert ……………………….Eddie Heimberger
    Woody Allen……………………….. Allen Konigsberg
    Lauren Bacall …………………….. Joan Perske
    Jack Benny ……………………….. Benny Kubelsky
    Milton Berle ……………………… Milton Berlinger
    Ernest Borgnine …………………….Effron Borgnine
    George Burns ……………………… Nathan Birnbaum
    Joan Blondell……………………… Rosebud Blustein
    Joyce Brothers ……………………..Joyce Bauer
    Mel Brooks ……………………….. Melvin Kaminsky
    Joey Bishop ………………………. Joey Gottlieb
    Charles Bronson …………………… Charles Buchinsky
    Rona Barrett ……………………….Rona Burnstein
    Cyd Chrisse ………………………..Tula Finklea
    Tony Curtis ………………………. Bernie Schwartz
    (daughter is Jamie Lee Curtis)
    Joan Crawford …………………….. Lucille Le Sueur
    Dyan Cannon ………………………. Samile Friesen
    Kirk Douglas ……………………… Isadore Demsky
    (son is Michael Douglas)
    Bob Dylan ………………………….Robert Zimmerman
    Rodney Dangerfield ………………….Jacob Cohen
    Douglas Fairbanks, Jr. …………….. Douglas Ullman
    Joel Grey ………………………… Joel Katz
    (father of Jennifer Grey)
    Elliott Gould ………………………Elliott Goldstein
    Zsa Zsa Gabor ………………………Sara Gabor
    John Garfield …………………….. Jules Garfinkle
    Judy Garland ……………………… Frances Gumm
    Paulette Goddard ………………….. Paulette Levy
    Eydie Gorme……………………….. Edith Gormezano
    Lorne Green ………………………..Chaim Leibowiz
    Judy Holliday …………………….. Judith Tuvin
    Leslie Howard …………………….. Leslie Stainer
    Buddy Hackett …………………….. Leonard Hacker
    Jill St. John …………………….. Jill Oppenheim
    Danny Kaye………………………… David Kominsky
    Alan King ………………………… Irwin Kniberg
    Larry King………………………….Larry Zeiger
    Tina Louise……………………….. Tina Blacker
    Ann Landers…………………………Esther Friedman
    (Abigail Van Buren is her sister.)
    Dorothy Lamour ……………………. Dorothy Kaumeyer
    Miehael Landon ……………………. Mike Orowitz
    Steve Lawrence ……………………. Sidney Leibowitz
    Hal Linden………………………… Hal Lip****z
    Jerry Lewis ………………………. Joseph Levitch
    Karl Maiden ………………………..Maiden Sekulovitch
    Ethel Merman ……………………… Ethel Zimmerman
    Jan Murray ……………………….. Murray Janofsky
    Walter Matthau ……………………. Walter Matasschanskayasky
    Lilly Palmer ……………………… Maria Peiser
    Jan Pierce………………………… Pincus Perelmuth
    Roberta Peters………………………Roberta Peterman
    Eleanor Parker…………………….. Ellen Friedlob
    Joan Rlvers ………………………..Joan Molinsky
    Tony Randall ……………………… Sidney Rosenberg
    Edward G. Robinson ………………… Emanuel Goldenberg
    Dinah Shore ………………………. Fanny Rose
    Shelly Winters ……………………. Shirley Schrift
    Gene Wilder……………………….. Jerome Silberman
    REMEMBER:
    There’s not a more evil, perverted and homosexual group today than Hollywood, as evidenced by the following 67 Sodomite films…

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    • Ernest Borgnine was born Ermes Borgnino, and his parents are Italian. He was a lifelong Roman catholic. But he married a Jewish woman.
      If it’s hard for you to get a fact that simple right, go back to the drawing board, and take your sheet and hood with you.

      Like

      • Yo Aesop,
        I stand corrected!

        Ernest Borgnine
        Borgnine married five times. His first marriage, from 1949 to 1958, was to Rhoda Kemins, whom he met while serving in the Navy. They had one daughter, Nancee (born May 28, 1952).

        He was then married to actress Katy Jurado from 1959 to 1963.

        Borgnine’s marriage to singer Ethel Merman in 1964 lasted only 32 days. Their time together was mostly spent hurling profane insults at each other, and both would later admit that the marriage was a colossal mistake (Merman’s description of the marriage in her autobiography was a solitary blank page). Their divorce was finalized on May 25, 1965.

        From 1965 to 1972, Borgnine was married to Donna Rancourt, with whom he had a son, Christopher (born August 9, 1969) and two daughters, Sharon (born August 5, 1965) and Diana (born December 29, 1970).

        His fifth and last marriage was to Tova Traesnaes, which lasted from February 24, 1973 until his death in July 2012.

        FREEMASON:
        In 2000, Borgnine received his 50-year pin as a Freemason at Abingdon Lodge No. 48 in Abingdon, Virginia. He joined the Scottish Rite Valley of Los Angeles in 1964, received the KCCH in 1979, was crowned a 33° Inspector General Honorary in 1983, and received the Grand Cross of the Court of Honour in 1991.[24]

        Borgnine was a heavy smoker until 1962, after which he became a militant anti-smoker.

        MARRIED TO JEWS OR CONVERTED

        Gracie Allen (married to George Burns, devout Catholic, Burns wasn’t religious)

        Tom Arnold (Roseanne Barr’s ex-husband, converted)

        Edie Brickell (married Paul Simon)

        Kate Capshaw (married to Steven Speilberg)

        Nell Carter (Gimme A Break star, married and converted)

        Max Cavalera (singer/guitarist of Sepultura/Soulfly…married the band’s Jewish manager)

        Connie Chung (news personality, married to Maury Povich)

        Sammy Davis Jr. (converted)

        Isla Fisher (model, married to Ali G. (Sascha Baron Cohen)

        Bridgette Fonda (actress, niece of Jane and grand-daughter of Henry Fonda…married to composer Danny Elfman)

        Henry Hill (mob informer, subject of film Goodfellas)

        Liam Howlett (member of The Prodigy, married All Saints member Natalie Appleton who is Jewish)

        Shirley Jones (married Marty Ingels, converted)

        Liam Gallagher (Oasis singer, married to All Saints member Nicole Appleton who is Jewish)

        Whoopi Goldberg (actress/comedienne)

        Yaphet Kotto (black actor…convert)

        Richard Krupps-Bernstein (guitarist for German band Rammstein, converted and took wife’s surname as own, since divorced)

        Peter Lawford (converted)

        Madonna (Italian/French American, follower of Kabbalah)

        Paul McCartney (widow of Jewish Linda (Eastman) McCartney, did not convert, Linda McCartney (Eastman) contrary to popular rumor was not a member of the non-Jewish Kodak-Eastman family)

        Richard Moll (“Bull” from Night Court, converted)

        Marilyn Monroe (married Jewish playright Arthur Miller, Jewish ceremony)

        Mike Myers (actor/comedian from the Austin Powers series/Saturday Night Live, etc., biologically he’s not Jewish though many think he is, he is married to a Jewish woman though…update: they recently divorced)

        Chris Robinson (Black Crowes singer, married quarter Jew Kate Hudson)

        Kurt Russell (actor, married Goldie Hawn)

        Suzanne Somers (actress/tv personality, converted)

        Sharon Stone (married Jewish man…since divorced)

        Elizabeth Taylor (converted)

        James Taylor (Carly Simon’s ex-husband)

        Jackie Wilson (soul singer, converted)

        Catherine Zeta-Jones (married 1/2 Jew Michael Douglas)

        Nikki Ziering (Ian Ziering’s ex-wife, converted)

        Who’s Who and Who’s jew

        HUGE list of American Jews from Wikipedia online Encyclopedia, Senators, Congressmen, Jurists, etc

        Retrieved from “http://en.wikipedia.org/wiki/List_of_Jewish_Americans”

        SENATOR JEWS

        Arlen Specter, senator (R-PA: DEAD (The inventor of the Magic Bullet)
        Frank Lautenberg, senator (D-NJ: 1982-01, 2003-)
        Jacob Hecht, senator (R-NV: 1983-89)
        Herb Kohl, senator (D-WI: 1989-)
        Joseph Lieberman, senator (D-CT: 1989-)
        Paul Wellstone, senator (D-MN: 1991-02)
        Dianne Feinstein, senator (D-CA: 1992-)
        Barbara Boxer, senator (D-CA: 1992-)
        Russ Feingold, senator (D-WI: 1993-)
        Ron Wyden, senator (D-OR: 1996-)
        Charles Schumer, senator (D-NY: 1999-)
        Norm Coleman, senator (R-MN: 2003-)

        CONGRESS JEWS

        Fox, Jon

        R-Pa.

        1995-1999

        Rothman, Steven R.

        D-N.J.

        1997

        Sherman, Brad

        D-Calif.

        1997

        Wexler, Robert

        D-Fla.

        1997

        Berkeley, Shelley

        D-Nev.

        1999

        Schakowsky, Jan

        D-III.

        1999

        Weiner, Anthony

        D-N.Y.

        1999

        Cantor, Eric

        R-Va.

        2001

        Davis, Susan

        D-Calif.

        2001

        Israel, Steve

        D-N.Y.

        2001

        Schiff, Adam

        D-Calif.

        2001

        Rahm Emanuel

        D-Ill.

        2003

        WHY IT’S EASY TO MAKE A MISTAKE IDENTIFYING JEWS:

        MARRANO JEWS

        When I state that Ignatius Loyola and the Jesuits were Marrano Jews, I will give you the history of Jews in Spain to show you their history in Spain:

        The Judahites settled in the land of Sepharad (or Sefarad), as Spain was known in the Hebrew language, very early on. It was also claimed that a large number of them arrived in Spain soon after the Babylonian king Nebuchadnezzar II conquered Jerusalem and destroyed the Temple in 586 B.C. There was a legend among the Sephardim that Toletum (Toledo), the capital city of Spain, was founded by Judahite refugees from Jerusalem. A popular etymology explained its name (pronounced by the Judahites “Tolaitola”) to be derived from the Hebrew word “tolatola” meaning exile or, according to another explanation, from “toledoth” meaning generations.

        The Sephardim considered this city a second Jerusalem and recreated a virtually new Palestine around it: the towns of Escaluna, Maqueda, Jopez and Azeque were erected in the adjacent lands in memory of the Palestinian Ashkalon, Makedda, Joppa (Yafo) and Azeka. The Ibn-Daud and Abrabanel (Abravanel) families were proud to claim their descent from the House of King David — Solomon’s father. Judahite communities were also founded in Cathago Nova (Cartagena), Cordoba, Granada, Saragosse (Zara-gossa), Taragona and all over the Iberian Peninsula.

        After the destruction of the Second Temple in 70 A.D., these early Iberian Judahite immigrants were joined by those who had been enslaved by the Romans during the Jewish-Roman Wars (70 and 135 A.D.) and dispersed to the extreme west. One estimate (although acknowledged as being perhaps “exaggerated”) places the number of Judeans (Judahites) carried off to Iberia during this period at 80,000. Notes the Encyclopaedia Britannica:

        “Already, before the destruction of Jerusalem [70 A.D.], the Diaspora had been a familiar phenomenon in Europe. The prisoners captured in innumerable wars [with the Romans] and distributed through the Empire as slaves had been followed (if not preceded) by merchants and traders. Latin writers from the period of Augustus [Caesar] onwards show the extent to which Jewish [Judahite] practices were spread throughout the civilized world of their day. Paul found them in Greece and Italy, and the infant church consistently advanced where the synagogue had blazed out the way. By the beginning of the 4th century, settlements were to be found as far afield as Spain and the Rhineland” (1943, Volume 13, p. 56).

        It is certain that subsequent Judahite immigration into Iberia existed, reaching the region by traveling along both the northern African and southern European coasts of the Mediterranean. In fact, during the second and third centuries Judahites had established communities in towns throughout the Roman Empire.

        Often overlooked is the fact that the vast majority of the tribe of Judah ended up in the western confines of the Roman Empire! Among the Saxon invaders of Britain were the JUTES, a people who came (under the leadership of the brothers Hengist and Horsa) from a part of Denmark still called JUTLAND, to settle in Kent and the Isle of Wight. This occurred in the year 449 A.D. Those of the Tribe of Judah were known as Jutes and made their way through Jutland to Britain where the Zarah tribe had previously migrated.

        This becomes clear when we remember the great change which took place in the languages of northern Europe some time previous to 100 B.C., whereby a great many words which had previously had in them the sound of our letter “d” changed this to the sound of “t”. (Grimm’s Law). As this change occurred during the years in which the Saxons were migrating to Western Europe from their old home east of the Black Sea, it is obvious that the people who arrived in Denmark as Jutes must have started out as JUDES or Judai.

        Further, as all of the Saxon tribes, including the Jutes, were descended from the SACAE (Sacasene) of Media, it follows that the Sacae must have had among them a tribe called Judes or Judai even before they left Media.

        We have, therefore, seven known facts to consider:

        (1) that when the Israel people were deported to Media by the Assyrians, part of the people of the Kingdom of Judah were taken with them; (2) that, as a consequence, there was among the Israelites in Media a group of Judahites, Judai, or Judes; (3) that following the Jewish-Roman wars of 70 and 135 A.D., as many as possibly 80,000 Judahite slaves were dispersed to the Iberian peninsula by the Romans; (4) that among the Saxons who came into Britain there was a tribe called Jutes; (5) that during the time they were migrating westward across Europe the ‘d’ in their language became ‘t’; (6) that the Saxons were descended from the Sacae of Media; and (7) that Sacae is the name by which the Israelites in Media were known to the Persian historians.

        It is certain, therefore, that the JUTES were originally called Judes or Judai, and that they were the descendants of that part of the people of JUDAH which the Assyrians carried away with Israel to Media.

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  11. Robin Williams and Nathan Lane in “The Birdcage”
    Robin Williams and Nathan Lane play gay couple Armand and Albert Goldman in the 1996 comedy “The Birdcage,” based on the stage show “La Cage aux Folles.” Armand and Albert’s son gets engaged, so Armand and Albert (in drag) pretend to be straight in order to impress the conservative parents of the son’s fiancée.

    Al Pacino in “Dog Day Afternoon”
    In the suspenseful 1975 drama “Dog Day Afternoon,” Al Pacino plays the real-life Sonny Wortzik, a man who tries to rob a bank and ends up holding people hostage so that he can get money for his boyfriend’s sex-change operation. Pacino received an Oscar nod for his role in the movie.

    Al Pacino and Other Stars of “Angels in America”
    Years after “Dog Day Afternoon,” Al Pacino won an Emmy and a Golden Globe for his portrayal of closeted gay attorney Roy Cohn in the 2003 miniseries “Angels in America,” which was based on the award-winning play. Other cast members who play gay men in the film include Patrick Wilson, Jeffrey Wright, Ben Shenkman and Justin Kirk.

    Matt Damon in “The Talented Mr. Ripley”
    In the 1999 drama “The Talented Mr. Ripley,” Matt Damon is Tom Ripley, a con artist whose sexual obsession with a rich playboy named “Dickey” (Jude Law) leads to tragic results (Ripley murders “Dickey” and his homosexual lover). By the way, Law’s big-screen debut (in 1997’s “Wilde”) was as a gay character: In the movie, Law plays Lord Alfred “Bosie” Douglas, the lover of famous writer Oscar Wilde (Stephen Fry).
    Heath Ledger and Jake Gyllenhaal in “Brokeback Mountain”
    Heath Ledger and Jake Gyllenhaal each got Oscar nominations for their unforgettable roles in 2005’s “Brokeback Mountain” as closeted gay cowboys Ennis Del Mar and Jack Twist, who fall in love. This wasn’t Ledger’s first role as a gay man: Ledger also played a gay teen in the Australian drama series “Sweat.”

    Charlize Theron and Christina Ricci in “Monster”
    Charlize Theron (pictured at right) won an Academy Award for best actress for her chilling portrayal of real-life serial killer Aileen Wuornos in 2003’s “Monster.” Christina Ricci (pictured at left) plays Aileen’s lesbian lover, Selby Wall, in the movie.

    Sean Penn, James Franco, Emile Hirsch and Diego Luna in “Milk”
    Speaking of Academy Awards, Sean Penn is getting serious Oscar buzz for his role as Harvey Milk in the 2008 docudrama “Milk.” In the movie, Penn plays the assassinated San Francisco city supervisor, who was the first openly gay politician in the United States. The majority of the characters in “Milk” are openly gay, including those portrayed by James Franco (top right), Emile Hirsch (bottom left) and Diego Luna, as men who have important influences on Milk’s life.

    Will Smith in “Six Degrees of Separation”
    Will Smith plays a con artist (who happens to be gay) impersonating Sidney Poitier’s son in the 1993 drama “Six Degrees of Separation.” In the movie, Smith’s character endears himself to a wealthy married couple, and he seduces their son.
    Michelle Pfeiffer and Whoopi Goldberg in “The Deep End Of The Ocean”
    Whoopi Goldberg plays a homosexual detective, searching for a missing kidnapped child, Ben, who miraculously reappears across the country 9-years later in Chicago under the name Sam.

    Glenn Close in “Serving in Silence: The Margarethe Cammermeyer Story”
    Glenn Close won an Emmy for her starring role in the 1995 TV movie “Serving in Silence: The Margarethe Cammermeyer Story.” In the biopic, she plays the decorated Colonel Margarethe Cammermeyer, who fights her dismissal from the Army when she comes out as a lesbian.

    Tom Hanks and Antonio Banderas in “Philadelphia”
    Tom Hanks won his first Academy Award for his unforgettable portrayal of Andrew Beckett, a gay man who sues the law firm that fired him for having AIDS. Antonio Banderas plays Andrew’s lover in the movie. In his Oscar acceptance speech, Hanks famously thanked one of his former teachers, who happens to be gay.

    Kevin Kline and Tom Selleck in “In and Out”
    Tom Hanks’ Oscar speech for “Philadelphia” partly inspired the 1997 comedy “In and Out.” In the movie, Kevin Kline plays schoolteacher Howard Brackett, who is outed on TV at the Academy Awards by a former student who wins an Oscar. Howard then goes on a journey to accept his sexuality, with the help of an openly gay reporter (Tom Selleck), who’s assigned to do a story about the outed teacher.

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  12. Hilary Swank in “Boys Don’t Cry”
    Hilary Swank got her first Oscar for playing hate-crime victim Brandon Teena in 1999’s “Boys Don’t Cry,” the real-life story about a young woman living as a man. Brandon becomes romantically involved with another young woman (played by Chloë Sevigny, but the transgender’s life comes to a tragic end.

    Cher in “Silkwood”
    Cher received widespread critical acclaim for her role in the 1983 drama “Silkwood.” In the movie, Cher plays Dolly Pelliker, the lesbian roommate of Karen Silkwood, who blows the whistle on corruption at a nuclear plant.

    Meryl Streep, Allison Janney, Ed Harris and Jeff Daniels in “The Hours”
    Speaking of Meryl Streep, she and Allison Janney (pictured at right) play longtime lesbian lovers in the 2002 drama “The Hours.” Ed Harris and Jeff Daniels portray a former couple in the movie, and Harris was nominated for an Academy Award for his role in “The Hours.”

    William Hurt in “Kiss of the Spider Woman”
    Speaking of Oscar-winning performances, William Hurt won an Academy Award for playing Luis Molina, who is jailed in South America for his homosexuality. In the movie, Luis forms a special bond with his cellmate, revolutionary Valentine Arregui (Raul Julia).

    Philip Seymour Hoffman in “Capote”
    Yet another Oscar-winning performance for a gay character: This one’s from Philip Seymour Hoffman, who plays author Truman Capote in the 2005 drama “Capote.” British actor Toby Jones plays Capote in the 2006 movie “Infamous.”

    Billy Crystal in “Soap”
    Billy Crystal’s role as Jodie Dallas in the sitcom “Soap” was groundbreaking, since Jodie was the first openly gay character on prime-time TV. Crystal (with “Soap” costar Richard Mulligan) played the role from 1977 to 1981.

    Ellen DeGeneres in “Ellen” and “The Ellen Show”
    In a case of art imitating life, Ellen DeGeneres came out that year as a lesbian, and shortly thereafter, so did her sitcom character Ellen Morgan on “Ellen.” The series (formerly titled “These Friends of Mine”) was on the air from 1994 to 1998. DeGeneres then played the openly lesbian character Ellen Richmond in the comedy series “The Ellen Show,” which lasted from 2001 to 2002.

    Russell Crowe in “The Sum of Us”
    Long before he became an international star, Russell Crowe played gay man Jeff Mitchell in the 1994 Australian film “The Sum of Us.” In the movie, Jeff has a rocky relationship with his father (Jack Thompson), who is cramping his dating life since the two live together.

    Jennifer Lopez in “Gigli”
    In the infamous 2003 bomb “Gigli,” Jennifer Lopez plays a lesbian criminal, and Ben Affleck the hit man who falls in love with her. “Gigli” became a punch line for endless jokes, because of the movie’s flimsy plot and lousy box-office numbers.

    Queen Latifah in “Set It Off”
    Speaking of criminals who happen to be lesbian, Queen Latifah portrays such a character in the 1996 drama “Set It Off.” In the movie, she and three other gal pals (Vivica A. Fox, Jada Pinkett Smith and Elise Neal) are desperate for money, so they decide to rob banks.

    Jada Pinkett Smith in “The Women”
    Years after starring as a heterosexual woman in “Set It Off,” Jada Pinkett Smith (pictured at far left) played an outspoken lesbian author in “The Women,” the 2008 remake of the 1939 film. In “The Women,” Pinkett Smith is Alex Fisher, a supportive friend to her straight gal pals, who are undergoing major changes in their lives.

    Felicity Huffman in “Transamerica”
    Felicity Huffman was nominated for an Academy Award for her portrayal of Bree Osbourne, a pre-op male-to-female transsexual, in the 2005 drama “Transamerica.” In the movie, Bree goes on a road trip and tries to reconnect with her long-lost son.

    Whoopi Goldberg in “Boys on the Side”
    Whoopi Goldberg is lesbian nightclub singer Jane Deluca this 1995 female road-trip movie. Jane finds herself going on the trip with two other women (Mary-Louise Parker and Drew Barrymore) who seemingly have little in common with her.

    Robert Downey Jr. in “Home for the Holidays”
    In the 1995 dramedy, “Home for the Holidays,” Robert Downey Jr. plays a gay man who joins his dysfunctional family for Thanksgiving dinner. The film’s ensemble cast includes Holly Hunter, as a sister of Downey’s character.

    Jennifer Tilly and Gina Gershon in “Bound”
    In the 1996 drama “Bound,” Violet (Jennifer Tilly) and Corky (Gina Gershon) are lesbian lovers plotting to steal mob money. The two girlfriends also concoct a plan to blame the crime on someone else.

    The Stars of “Queer as Folk”
    The U.S. version of the soapy drama series “Queer as Folk” (which was originally a British show) follows the lives of a group of gay male friends and some lesbians in Pittsburgh. The ensemble cast includes Hal Sparks, Gale Harold, Peter Paige, Randy Harrison, Scott Lowell, Michelle Clunie and Thea Gill. Airing from 2000 to 2005, the show got a lot of publicity for its explicit sex scenes and for tackling controversial issues in the gay community.

    The Stars of “The L Word”
    The cast of characters in the prime-time drama series “The L Word” are almost all lesbian. The stars of the show, which airs its series finale in 2009, include Jennifer Beals, Mia Kirshner, Laurel Holloman and Katherine Moennig. Years before she was on “The L Word,” Holloman costarred with Nicole Ari Parker as lesbian teens in the 1995 movie “The Incredibly True Adventures of Two Girls in Love.”

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  13. John Goodman in “Normal, Ohio”
    Former “Roseanne” star John Goodman played against type in the short-lived sitcom “Normal, Ohio.” In the TV series (which came and went in 2000), Goodman is William “Butch” Gamble, a gay man who goes back to his hometown after coming out of the closet.

    Mariel Hemingway in “Roseanne”
    Speaking of “Roseanne,” that show featured three different lesbian characters — played by guest stars Mariel Hemingway, Sandra Bernhard and Morgan Fairchild — and caused quite a bit of controversy with the first network-TV lesbian kiss — between Hemingway’s character and Roseanne Barr’s character. FYI: Hemingway also plays a bisexual Olympian athlete in the 1982 movie “Personal Best.”

    Richard Harris in the “Harry Potter” movies
    Richard Harris plays wizard-school headmaster Albus Dumbledore in the “Harry Potter” movie series. The character was outed in 2007, when “Harry Potter” author J.K. Rowling revealed that Dumbledore is gay.

    Cillian Murphy in “Breakfast on Pluto”
    In the 2005 dramedy “Breakfast on Pluto,” Cillian Murphy plays a young man struggling with his sexual identity. Set in the 1970s, “Breakfast on Pluto” features Murphy as Patrick “Kitten” Braden, who goes on a quest to find his biological mother. The movie was directed by Neil Jordan and costars Stephen Rea, who also collaborated on 1992’s “The Crying Game.”

    Jaye Davidson in “The Crying Game”
    Speaking of “The Crying Game,” who could forget transgender character Dil? Jaye Davidson earned an Oscar nomination for his “revealing” role in the 1992 film.

    Harvey Fierstein in “Torch Song Trilogy”
    In the 1982 big-screen film “Torch Song Trilogy,” Harvey Fierstein reprises his role from the stage show of the same title. In the movie, Fierstein is openly gay Arnold Beckoff, a man looking for romance and dealing with a complicated relationship with his mother.

    Jesse L. Martin and Wilson Jermaine Heredia in “Rent”
    Jesse L. Martin (as professor Tom Collins) and Wilson Jermaine Heredia (as drag-queen musician Angel Dumott Schunard) also reprised their roles from an acclaimed Broadway show on the big screen. In the 2005 movie musical “Rent,” the two actors play openly gay men who have AIDS.
    The Cast of “Longtime Companion”
    The 1990 drama “Longtime Companion” was the first big-screen feature film about the effect of AIDS on the gay community. The ensemble cast members who play a group of gay friends and lovers include Dermot Mulroney, Campbell Scott, Bruce Davison, Patrick Cassidy, Stephen Caffrey and Mark Lamos.

    J.D. Pardo in “A Girl Like Me: The Gwen Araujo Story”
    The 2006 Lifetime Original Movie “A Girl Like Me: The Gwen Araujo Story” is the tragic real-life tale of a transgender teen (J.D. Pardo) who becomes the victim of a brutal hate crime. Keep clicking for more Lifetime Original Movies with gay themes.

    Brooke Shields in “What Makes a Family”
    Brooke Shields (pictured at left) plays a lesbian whose partner (Cherry Jones) is artificially inseminated and then dies in the 2001 Lifetime Original Movie “What Makes a Family.” The true story involves a custody case that ensued between Shields’ character and the child’s grandparents.

    Valerie Bertinelli in “Two Mothers for Zachary”
    As Jody Ann Shaffell in the 1996 TV-movie “Two Mothers for Zachary,” Valerie Bertinelli also plays a lesbian mom fighting for custody of her child. Jody Ann’s opponent in court is her own mother, Nancy (Vanessa Redgrave), who doesn’t approve of her daughter’s lifestyle.

    Ellen Muth and Kelly Rowan in “The Truth About Jane”
    In the 2000 Lifetime Original Movie “The Truth About Jane,” Ellen Muth plays a teen who discovers she’s gay while in high school, much to the disapproval of her mom (Stockard Channing). Kelly Rowan portrays her teacher, who happens to be a lesbian as well.

    Shane Meier in “The Matthew Shepard Story”
    Stockard Channing plays another mom of a gay teen in the 2002 TV-movie “The Matthew Shepard Story.” Shane Meier plays the title character in this tragic true story of young man who becomes the victim of a hate crime, and how his mother fights for justice.

    Leslie Hope and Wendy Crewson in “An Unexpected Love”
    This duo teamed up to play a couple in this 2003 Lifetime Original Movie “An Unexpected Love.” Leslie Hope plays an unhappily married woman who falls for her new boss, played by Wendy Crewson. Lee Rose directed and wrote “An Unexpected Love” and “The Truth About Jane.

    Audrey Hepburn and Shirley MacLaine in “The Children’s Hour”
    Audrey Hepburn and Shirley MacLaine star in the 1961 film “The Children’s Hour,” which was a groundbreaking gay-themed film for its time. They play headmistresses Karen Wright and Martha Dobie, who run a private school for girls in New England. When a young pupil is punished for lying, she accuses the two women of being romantically involved. The rumor spreads quickly, but what’s more surprising to everyone is that there is some truth behind it.

    Christopher Meloni in “Oz”
    Jesse L. Martin isn’t the only actor in the “Law & Order” family to play a character attracted to the same sex. In the prison drama “Oz,” Christopher Meloni (pictured at right), of “Law & Order: SVU” fame, portrayed inmate Chris Keller who has an ongoing tryst with fellow prisoner Tobias Beecher (Lee Tergesen, pictured at left).

    Elisabeth Röhm in “Law & Order”
    Speaking yet again of “Law & Order,” the sexuality of the show’s Assistant District Attorney Serena Southerlyn (Elisabeth Röhm) wasn’t revealed until her character exited the show in 2005. After being fired, Serena declares, “Is it because I’m a lesbian?”

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  14. Natasha Lyonne in “But I’m a Cheerleader”
    In the 1999 comedy “But I’m a Cheerleader,” Natasha Lyonne plays lesbian teen Megan Bloomfield, whose parents ship her off to camp to “cure” her of her homosexual tendencies. While at the camp, Megan finds true love with another girl.

    Rupert Everett in “My Best Friend’s Wedding”
    British actor Rupert Everett is openly gay in real life, and he has played several gay or transgender roles onscreen. Perhaps the most of famous of these roles is in the 1997 comedy “My Best Friend’s Wedding,” in which he plays the close friend of a woman (Julia Roberts) who realizes she’s in love with longtime male friend who’s about to get married to someone else. In the 2000 drama “The Next Best Thing,” Everett plays an openly gay man who has a child with his single best friend (Madonna), but then she falls in love with someone else, and a custody battle ensues. And in the 2007 British comedy film “St. Trinian’s,” Everett plays a female impersonator who’s a headmistress at a girls’ school.

    John Ritter in “Sling Blade”
    The late John Ritter got great reviews for his supporting role in the 1996 drama “Sling Blade.” In the movie, he plays a gay man struggling against homophobia in rural Arkansas.

    Matthew Rhys in “Brothers & Sisters”
    Matthew Rhys plays openly gay Kevin Walker in the drama series “Brothers & Sisters.” On the show, Kevin (who’s a communications director for his senator brother-in-law) gets married to longtime partner Scotty Wandell (Luke Macfarlane).

    John Cameron Mitchell in “Hedwig and the Angry Inch”
    John Cameron Mitchell cowrote, directed and starred in the critically acclaimed 2001 indie musical “Hedwig and the Angry Inch,” based on Mitchell’s theater production of the same name. As the title character in the movie, Mitchell plays a male-to-female transsexual German rock singer who experiences heartbreak in her romantic relationships.

    Mario Cantone and Willie Garson in “Sex and the City”
    The women of the “Sex and the City” TV series have gay men as part of their circle of friends; most notably, brutally sarcastic Anthony Marantino (Mario Cantone) and shy Stanford Blatch (Willie Garson). The actors reprised their roles in 2008’s big-screen “Sex and the City: The Movie.”

    Rex Lee in “Entourage”
    Rex Lee plays long-suffering administrative assistant Lloyd in the comedy series “Entourage.” Lloyd is often the target of abusive and sometimes homophobic tirades from his hard-charging Hollywood agent boss, Ari Gold (Jeremy Piven).

    Michael Boatman in “Spin City”
    In this sitcom, Michael Boatman plays Carter Heywood, the head of minority affairs for New York’s mayoral office. He played the role during the show’s run from 1996 to 2002.

    Kerr Smith in “Dawson’s Creek”
    Kerr Smith plays Jack McPhee in this prime-time soap geared for the younger crowd. On the show, Jack comes out of the closet after coming to terms with his sexuality.

    Michael C. Hall in “Six Feet Under”
    Years before he was playing a straight serial killer on another cable network, Michael C. Hall played funeral director David Fisher, who has a relationship with an African-American cop (Mathew St. Patrick, pictured at left) in the award-winning series “Six Feet Under.” This was American TV’s first ongoing gay interracial relationship.

    Alyson Hannigan in “Buffy the Vampire Slayer”
    The actress, now best known for her role on “How I Met Your Mother,” previously played powerful young witch Willow Rosenberg in the TV series “Buffy the Vampire Slayer.” (Hannigan co-stars with “Buffy’ played by Sarah Michelle Gellar.) In the TV series, Willow finds true love at college with a fellow female coed (Tara Benson), who also is into potions and spells.

    Donna Pescow in “All My Children”
    “All My Children” and other daytime soaps have had gay characters. But from 1982 to 1983, Donna Pescow played Dr. Lynn Carson, the first openly gay character on a daytime soap. Pescow is pictured here in a 2007 photo. (Eden Riegel, who played Erica Kane’s daughter, Bianca, played a lesbian on the same soap years later.)

    Lee Pace in “Soldier’s Girl”
    The 2003 TV movie “Soldier’s Girl” tells the true story of soldier Barry Winchell (Troy Garity), who was murdered for falling in love with transgender Calpernia Addams, who was born a male named Scottie (played by Lee Pace). Garity and Pace each earned Golden Globe nominations for their roles in the movie.
    Dennis Quaid in “Far From Heaven”
    Dennis Quaid got some of the best reviews of his career for his role in the 2002 drama “Far From Heaven.” In the movie, Quaid is Frank Whitaker, a married father who comes out of the closet and leaves his wife (Julianne Moore) for another man.

    Harry Hamlin and Michael Ontkean in “Making Love”
    The 1982 big-screen film “Making Love” also tackles the issue of a closeted gay husband who falls in love with another man. In this movie, Michael Ontkean is the husband, Harry Hamlin is the gay lover and Kate Jackson is the jilted wife.

    Eric McCormack and Sean Hayes in “Will & Grace”
    Eric McCormack and Sean Hayes each won an Emmy for their portrayals of openly gay men in “Will & Grace.” McCormack plays know-it-all Will Truman, while Hayes is the more flamboyant Jack McFarland. McCormack and Hayes co-star with Megan Mullally and Debra Messing.

    Wesley Snipes, John Leguizamo and Patrick Swayze in “To Wong Foo, Thanks for Everything, Julie Newmar”
    In the 1995 comedy, Wesley Snipes, John Leguizamo and Patrick Swayze play three drag queens who go on a road trip, but their car breaks down in a small, conservative town. The townspeople don’t know what to make of the trio.

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  15. Spacey is anything but “closeted”.

    His predilections have been well-known, inside and outside Hollyweird, for over two decades.
    The “OMG, He played the “Gay Card'” fits of apoplexy say more about someone else’s lack of information than about Spacey’s actions in response to this week’s entirely predictable revelations about him.

    He’s a talented actor, and a LGBTQEIEIO total perv, and he’s been a perv since forever. The only change is currently, the Leftard media is inclined to report it.

    Be happy about that, because when they suddenly discover there are “enemies to their Left”, it’s a rare and savory moment of clarity in the MSM’s usually and deliberately obtuse and obfuscatory knee-jerk support for The Diversity.

    Next thing you know, someone may notice that until Suri (probably via turkey baster) Tom Cruise hasn’t had a natural child in decades, despite being married to two of the hottest-looking women in Hollywood, and has only had ten or twenty accusations of gay trysts, all quickly squelched and covered by settlement payoffs covered by Non-Disclosure Agreements in about 0.2 seconds, going back to the 1980s.

    But, notably, no accusations of rape.

    So when he someday pulls a Rock Hudson and outs himself, don’t act all surprised then at “news” of his orientation either.

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  16. Hollywood is imploding very quickly. They sold their souls to the devil for fame and fortune. Was it worth it?

    Liked by 1 person

  17. The only movie I remember seeing with Kevin Spacey in it was “L.A. Confidential”. Part of the movie involves, if I remember correctly, young male Hollywood hopefuls being exploited by older Hollywood gay men. It was set in the early 1950s, so reporters were paid off handsomely to cover up any scandals. How ironic…😎

    Liked by 1 person

  18. You just have to get on board with the New Religion. All this is now considered “desirable”. Just look here. This is what we’re likely to see here very soon:

    https://www.thesun.co.uk/news/4247444/fifteen-teens-treated-for-rabies-after-gang-rape-of-donkey-as-cops-urge-anybody-else-who-admired-the-beast-to-turn-themselves-in-to-avoid-disease-spreading/

    Liked by 1 person

  19. Pingback: Sexgate: Closeted homosexual Kevin Spacey apologizes for trying to seduce 14-year-old boy — Fellowship of the Minds – NZ Conservative Coalition

  20. All Right, Spacey is really morally depraved, really morally “spaced out.” But what about Rapp?
    This is what bothers me about this story. This is alleged to have happened over 30 years ago. I was a teacher here in New York City from 1984 to 1996, and this is why I find it suspect. I say “suspect” and not “false”: Here in New York, even 33 years ago, if any teacher attempted to disrespect almost any student, that student would let that teacher have it, at least verbally, immediately. Or, failing that, the parents would show up at the school the next day, with either lawyers or police officers in tow.
    So Rapp makes an accusation. Let us assume he’s telling the truth. This IS NOT to defend Spacey, whom I would not approach without chlorine bleach! But if Spacey is the predator Rapp says he is, why didn’t he punch Spacey right in the nose???

    And let’s not pretend our parents’ generation of actors were much better. I have heard that the erstwhile Henry Fonda was a godless communist, and that a number of other actors—now dead 40 years and more—were also sexual degenerates. They happened to keep it under public wraps, and they did not go after children (as far as we know).
    Damn Kevin Spacey. (He even looks like some kind of Martian!) But hold your nose and get the bleach out for Rapp, too.

    Liked by 1 person

    • Steven, I continue to ask, where are the parents?

      Liked by 1 person

    • Poor Rapp obviously didn’t have a solid parental influence.
      And I have to say… “Here in New York, even 33 years ago, if any teacher attempted to disrespect almost any student, that student would let that teacher have it, at least verbally, immediately.”
      No, I’m sorry- that is not how it works. The predator chooses victims who would NOT “let the teacher have it.”
      Predators don’t prey on headstrong, confident people.
      Passive, confused and unsure people are their bread and butter.

      Liked by 1 person

  21. I’ve felt bad all day for the way I commented about the “seduce” vs “rape” thing. You did nothing wrong and I’m sorry for coming at you that way.

    Liked by 2 people

  22. Hollyweird. Dah! Who knew? (Sarc).

    Liked by 1 person

  23. Spacey claims to,not remember the “incident” but he blamed his drunkeness. Well, that is confusing.
    Then he acts like because he came out, he gets a bye.
    His gayness was no secret. He hasn’t been seen or connected with women.
    I love it when Hollywood has to face their own smugness.

    Liked by 1 person

  24. Even Barbara Bush said something like ‘A man might forget where he left his keys or hat, but he never forgets oral sex.’ Or in this case a sexual advance on a young boy.
    And throw out your boycott list. Just keep a much shorter acceptable list. It’ll save you a lot of time.
    Nothing in hollyweird is worth the price of your soul.

    Liked by 1 person

  25. Yo, Kevin:

    Liked by 1 person

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